Additional tracks “F.U.C.K” and “Coastin” built on the JAGUAR sound and emphasized its staying power with impressive visuals all set in Monét’s signature brown tones and 70s influences.
Since then, Monét has been steadily turning up the heat with a string of releases including remixes featuring Kehlani (“Touch Me”) and Bryson Tiller (“We Might Even Be Falling In Love (Duet)”). Both singles mark the beginning of a new era for Victoria Monét, ending the long-awaited pause since her heralded 2020 solo project JAGUAR.
Lucky Daye- an unabashed homage to herbal ecstasy that garnered attention from Rolling Stone, Pitchfork, Flaunt, Nylon, Hypebeast, and more. “Party Girls” comes on the heels of the recent single “Smoke” feat. I hope this song makes you feel sexy, empowered and appreciated!” “If you recall any social gathering, nightlife extravaganza or day party you’ll likely recall a moment where a woman made it so much more exciting! I wanted to make a song giving credit where it’s due, while simultaneously curating a sensual Caribbean-infused R&B song to continue the fun to. “Party Girls is an ode to women around the world who keep celebrations alive!” says Monét. Crystal-adorned and compulsively hypnotic, Monét is undeniably the life of the party- dancing from room to room boasting all the traits of the ultimate party girl. The Meji Alabi-directed music video brings the pulsating grit of a classic Jamaican dancehall party to life with Victoria’s striking looks styled by Kollin Carter and jaw-dropping dance breaks from world-renowned choreographer Sean Bankhead. Ignited by a fiery verse from Buju Banton, “Party Girls” is adrenaline-packed and effortlessly inviting- a certified summer classic. Throughout the D’Mile, Yonatan “SDTRK” Ayal, & Dready-produced track, Monét glides over soaring instrumentation, wavy basslines, and sharp percussions that set ablaze her seductive vocal treatments reminiscent of Sade - fusing her R&B roots with classic dancehall sounds. The multi-talented, Grammy-nominated singer, songwriter, and producer Victoria Monét releases her new steamy female summer anthem “Party Girls” featuring renowned dancehall legend Buju Banton via Lovett Music/RCA Records. The story of how we got here is no fairytale, but I’ll try my best to tell you all about the best way I know how.” His mother and I are forever in awe, and forever thankful for our angel, our Saint.
“The word ‘son’ feels hella ironic to read, like the sun up in the sky that I used to stare at until it became an almost blinding blue bouncing ball of light, my son came into the world and brought a brightness into my life that could rival that of its homophone. I watched our world change, and in the midst of it all, I had a son, became a father, and watched my world change as well,” says Deante’ in a statement. “At what was shaping up to be a turning point in my life, the world as we know it seemed to stop turning altogether. city or The Game’s The Documentary, Once Upon A Time crafts a narrative arc that’s transparent yet complex about the uncertainties and emotions men often face but don’t always express to the women in their lives.įeaturing the singles “Woah!,” “Drunk AF,” “Alone,” and “U Were Right I Was Wrong,” as well as collaborations with DRAM, Big K.R.I.T., Westside Boogie, Dende, and more, the 16-track project is a vulnerable and versatile offering that flexes Deante’s growth as an artist while serving as a cautionary tale for his son’s future relationships. A conceptual project in the vein of Kendrick Lamar’s good kid, M.A.A.D. Once Upon A Time is a journey into the emotional rollercoaster that Deante’ experienced with his romantic partner and the birth of their son, Otto Saint Hitchcock. Grammy-nominated rapper Deante’ Hitchcock releases his highly anticipated sophomore album, Once Upon A Time, out now via ByStorm Entertainment/RCA Records.
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